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May 12th, 2013
thesmithian

In…Rojas’…wildly creative novel…the dead writer watches his last, fateful days replayed in a private theater in the underworld. Decades have passed, and Lorca is aware of his posthumous fame, and how his death torments those who outlived him. All he wants is to sleep, finally and forever, but instead he’s trapped with the memories of his life, and of all the art and literature he created.

more.

April 19th, 2013
thesmithian

Walker takes on the persona of white Citizens’ Council member Byron De La Beckwith, who killed Evers on June 12, 1963. Walker takes on other figures…including Evers’s widow Myrlie Evers. Nonetheless, the in-depth engagement with the possible inner workings of De La Beckwith’s mind, motivations, and interests, troubling as they were, really forms the core and driving force of Walker’s volume…

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April 2nd, 2013
thesmithian

In [Countee Cullen’s] lifetime and after, his writings have been by turns excessively praised or prejudicially discounted, not so much for their particular literary merits or failings, but for the ways in which they address broader debates about race in American culture. Some, like W.E.B. Du Bois, sought to boost Cullen less for his art alone than for what his art would prove about African American character. Others, like Langston Hughes and many after him, suspected Cullen of aspiring to a kind of whiteness in his poetic practice—even as his poems articulate a unique vision of the joys and trials of being black, male, and some would vigorously add “gay” in early twentieth-century America.

more.
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art: photo of Cullen by Carl Van Vechten, 1941. Central Park, NYC

In [Countee Cullen’s] lifetime and after, his writings have been by turns excessively praised or prejudicially discounted, not so much for their particular literary merits or failings, but for the ways in which they address broader debates about race in American culture. Some, like W.E.B. Du Bois, sought to boost Cullen less for his art alone than for what his art would prove about African American character. Others, like Langston Hughes and many after him, suspected Cullen of aspiring to a kind of whiteness in his poetic practice—even as his poems articulate a unique vision of the joys and trials of being black, male, and some would vigorously add “gay” in early twentieth-century America.

more.

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art: photo of Cullen by Carl Van Vechten, 1941. Central Park, NYC

March 1st, 2013
thesmithian

…contemplations of rock, sea, and coastline nestle comfortably against…slices of life. Fault Lines declares no subject minor or commonplace, focusing on neatly attired schoolchildren, villages that vanish the closer one drives, or the poet himself, who can be three people at once.

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February 20th, 2013
thesmithian

…bell hooks has been named as the recipient of the 2013 Black Caucus of the American Library Association’s Best Award for her book…

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February 15th, 2013
thesmithian

…challenges the poetry mantra of art for art’s sake…the poems…take on a sense of social and political responsibility that does not weigh down the language—the Achilles’ heel of slam…Smith’s ambition enriches her work and forces the reader to evaluate the poet as difference-maker.

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February 1st, 2013
thesmithian

“We Negro writers, just by being black, have been on the blacklist all our lives. Censorship for us begins at the color line.” —Langston Hughes

He was born on this day [1902] in Joplin, Missouri. He died in 1967.

January 28th, 2013
thesmithian

Not only has Plath’s small oeuvre spawned an ever-flourishing worldwide industry of biographical interpretation, but her writing so seamlessly fused self-obsession with an otherworldly gift for language that, on reading, it’s impossible to differentiate between scholarly interest and “curiosity of quite a low order” in one’s mind. This entrancing quality, this perfect, irreproducible formula of unadulterated narcissism and true genius, is what sustains her place in the spotlight…

more.

Not only has Plath’s small oeuvre spawned an ever-flourishing worldwide industry of biographical interpretation, but her writing so seamlessly fused self-obsession with an otherworldly gift for language that, on reading, it’s impossible to differentiate between scholarly interest and “curiosity of quite a low order” in one’s mind. This entrancing quality, this perfect, irreproducible formula of unadulterated narcissism and true genius, is what sustains her place in the spotlight…

more.

January 28th, 2013
thesmithian

Nike presents “Be Bold. Be True”…features Kevin Durant and an exclusive… track produced by 9th Wonder… [clip] produced and directed by We Are Not Pilgrims. The spoken-word piece…written and performed by Joekenneth Museau. Street Etiquette handled styling…

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January 25th, 2013
thesmithian

‘For a measure of how the United States has changed in two generations, think about this…’

Most of the eminences who spoke or performed at President Barack Obama’s inauguration would probably not have been able to land an advertising job at the fictional agency portrayed on the television series “Mad Men.” Not Mr. Obama, since he’s black and his middle name is Hussein. Not Senator Charles E. Schumer, who’s Jewish. Not Myrlie Evers-Williams, who gave the invocation, or Beyoncé Knowles, who sang, because they’re both black and female. Speaking of female, not Kelly Clarkson, the singer—nor Justice Sonia Sotomayor of the Supreme Court, who, as a Hispanic, would have been doubly problematic. Speaking of Hispanic, not the Rev. Luis Leon—nor the inaugural poet, Richard Blanco, who is both Cuban-blooded and gay. Reactions to the inauguration have dwelled on Mr. Obama’s ringing defense of modern liberalism. But the theater of the day was at least as telling as the speeches.

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January 17th, 2013
thesmithian

Pres. Obama’s choice of the relatively unknown Cuban American poet Richard Blanco to read at his inauguration later this month caught many people in poetry circles by surprise. Blanco, 44, will be the first Latino poet, and the first openly gay man given the honor of reading at a presidential inauguration.

more. and more.

January 7th, 2013
thesmithian

The child of migrant workers and now a professor at the University of California, Riverside, Herrera began to publish and perform verse in the late 1960s and early ’70s, amid the Chicano cultural ferment of Los Angeles and San Diego; he has been, and should be, admired for his portrayals of Chicano life. Yet he is no mere recorder of social conditions. Herrera is, instead, a sometimes hermetic, wildly inventive, always unpredictable poet, whose work commands attention for its style alone.

more.

The child of migrant workers and now a professor at the University of California, Riverside, Herrera began to publish and perform verse in the late 1960s and early ’70s, amid the Chicano cultural ferment of Los Angeles and San Diego; he has been, and should be, admired for his portrayals of Chicano life. Yet he is no mere recorder of social conditions. Herrera is, instead, a sometimes hermetic, wildly inventive, always unpredictable poet, whose work commands attention for its style alone.

more.

December 17th, 2012
thesmithian

Harjo recounts how her early years—a difficult childhood with an alcoholic father and abusive stepfather, and the hardships of teen motherhood—caused her to suppress her artistic gifts and nearly brought her to her breaking point. “It was the spirit of poetrywho reached out and found me as I stood there at the doorway between panic and love”…Harjo [is] now an acclaimed poet, performer and writer of the Muscogee (Creek) Nation…

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December 16th, 2012
thesmithian

Diaz describes a museum exhibiting [Native American] stuffs: “About the beautiful dresses emptied of breasts…/they were nothing compared to the emptied bodies.”

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Diaz describes a museum exhibiting [Native American] stuffs: “About the beautiful dresses emptied of breasts…/they were nothing compared to the emptied bodies.”

more.

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