…a…compelling portrait of a massively influential musician whose genius did not suddenly emerge after he formed the Jimi Hendrix Experience in 1966, but rather evolved during endless nights of gigging in backwater juke joints and dive bars from Nashville to New York City.
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![[Flip] Wilson was a more troubled person than his easy and attractive onstage demeanor would suggest. But he was also a more serious and committed one, who studied comedy like a science and performed it as an art. Part of the first wave of black comedians to break the color line, he arrived during the sociocultural crack in time we call the mid-’60s. He straddled that crack for a while, and then it swallowed him.
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![Drawing on…unpublished correspondence with contemporaries and friends like [Langston] Hughes, Claude McKay, Carl Van Vechten, Dorothy West, Charles S. Johnson and Alain Locke, and presenting a unique interpretation of his poetic gifts, And Bid Him Sing is the first full-length critical biography of this…American writer.
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