…imagine a world where no one is in charge and no one necessarily knows what’s going on, where identities are in perpetual flux. Mothers and fathers act like teenagers; little children are wise beyond their years. Girls light out for the territory and boys cloister themselves in secret gardens. We have more stories, pictures and arguments than we know what to do with, and each one of them presses on our attention with a claim of uniqueness, a demand to be recognized as special. The world is our playground, without a dad or a mom in sight.
When you see a troll or abuser online, what do you do about it? Do you egg on or ignore the miscreant? Do you shame the fool? Do you support the troll’s victims? Or do you laugh at them? You—yes, you and I—are creating the norms of our new society. What are those norms? What is our new society?
This is the largest citizen empowerment change seen in history, and it has happened almost entirely from technology. The impact on consumer behaviour and, more importantly, on expectation has been overwhelming—a true game changer. We live in different times and I for one am very tired of hearing examples and role models which are historically inappropriate, holding to a past with little to offer the adaptive approaches required today.
When we’re talking about money, let’s talk about money, where it goes and why there’s not enough diversity there. But when we’re talking about diversity of plays, theatremakers, and audience, let’s talk about diversity as such, and stop requiring outdated entrance fees to that discussion. Why isn’t Bindlestiff at that table? THEY’RE THE ONLY FILIPINO THEATRE IN THE COUNTRY. And it’s like they just don’t exist. There’s nonstop talk in the club about how “theatre” needs to diversify or die, while everyone inside pretends there aren’t hundreds of diverse theatres they stopped at the rope line.