>

May 8th, 2013
thesmithian

…all the markers of a novel written in the…Southern gothic tradition…references…to race, poverty, the blues, voodoo and an ill-fated brothel…the Southern literati have raised an eyebrow at its author: Bill Cheng, a 29-year-old Chinese-American from Queens who has never set foot in Mississippi.

more.

December 27th, 2012
thesmithian

In January, Meng will be sworn in among the next freshman class in Congress, representing central Queens, making her the first Asian-American congressional rep from New York—not only a historic achievement but an extraordinary twist of fortune for Meng…

more.

August 1st, 2012
thesmithian

…story is racially diverse as it is set in Queens, NY, so that would be the way things are—diverse!

more.

March 5th, 2012
thesmithian

“It isn’t lost on me, the incredible opportunity and the even greater obligation of being the first. The pressure is always there. I understand the stakes, the risks of being who I am.”

more.

December 21st, 2011
thesmithian

In the 1980s, several racially motivated attacks dominated the headlines of New York City newspapers…

more.
+++++
art: photo of Michael Griffith. he died in the 1986 Howard Beach (Queens, NYC) incident.

In the 1980s, several racially motivated attacks dominated the headlines of New York City newspapers…

more.

+++++

art: photo of Michael Griffith. he died in the 1986 Howard Beach (Queens, NYC) incident.

October 6th, 2010
thesmithian
[Queens, stand up]

In his latest short-story collection, “A Good Fall,” Ha Jin continues his skillful and deeply felt exploration of immigrant conflicts. He focuses on a socioeconomically diverse cast of characters mostly living or working in the Queens, N.Y., neighborhood of Flushing. They include a healthcare aide trying to fend off advances from an old man with dementia without losing her job (“A Pension Plan”), a private SAT tutor embroiled in an inadvertent love triangle with his female student and her mother (“Choice”) and a professor worried that a single misspelled word on his application will doom his tenure chances (“An English Professor”). A pervasive anxiety infects these lives. For these newcomers, both relationships and jobs seem precious, precarious things, often tied to one another, sometimes hanging by a thread.

more of the review, here. and this next—

Jin, who has set seven of his nine works of fiction in Asia, chose to meet in Flushing because that is the setting for the stories in his new collection, A Good Fall—fresh territory for the author, who has placed his characters on U.S. soil only once before, in his most recent novel, A Free Life. The Flushing Main Street that appears in his pages is less a portrait of specific venues and more an evocation of a state of being—that of immigrants tethered to an insular community. Jin wants to take me to a Sichuan restaurant he likes that is always full of recent arrivals, but it’s not yet open for lunch. We settle on a diner nearby that serves milder Shanghai cuisine, though we’re both craving something spicier…Jin discovered the neighborhood in 2005, when he stayed at the Sheraton for a conference. He was immediately intrigued by Flushing’s microcosmic nature, as opposed to Manhattan’s more tourist-driven Chinatown. The Chinese population here is so self-contained that residents never need to learn English. It’s a blessing and a curse for arrivals, as well as rich material for a writer, and Jin uses it to harrowing effect in A Good Fall.

is a profile of Jin. A Good Fall is new in paperbook, and if you’re picking it up, I suggest you also read his Waiting.

That book stays in my mind.

[Queens, stand up]

In his latest short-story collection, “A Good Fall,” Ha Jin continues his skillful and deeply felt exploration of immigrant conflicts. He focuses on a socioeconomically diverse cast of characters mostly living or working in the Queens, N.Y., neighborhood of Flushing. They include a healthcare aide trying to fend off advances from an old man with dementia without losing her job (“A Pension Plan”), a private SAT tutor embroiled in an inadvertent love triangle with his female student and her mother (“Choice”) and a professor worried that a single misspelled word on his application will doom his tenure chances (“An English Professor”). A pervasive anxiety infects these lives. For these newcomers, both relationships and jobs seem precious, precarious things, often tied to one another, sometimes hanging by a thread.

more of the review, here. and this next—

Jin, who has set seven of his nine works of fiction in Asia, chose to meet in Flushing because that is the setting for the stories in his new collection, A Good Fall—fresh territory for the author, who has placed his characters on U.S. soil only once before, in his most recent novel, A Free Life. The Flushing Main Street that appears in his pages is less a portrait of specific venues and more an evocation of a state of being—that of immigrants tethered to an insular community. Jin wants to take me to a Sichuan restaurant he likes that is always full of recent arrivals, but it’s not yet open for lunch. We settle on a diner nearby that serves milder Shanghai cuisine, though we’re both craving something spicier…Jin discovered the neighborhood in 2005, when he stayed at the Sheraton for a conference. He was immediately intrigued by Flushing’s microcosmic nature, as opposed to Manhattan’s more tourist-driven Chinatown. The Chinese population here is so self-contained that residents never need to learn English. It’s a blessing and a curse for arrivals, as well as rich material for a writer, and Jin uses it to harrowing effect in A Good Fall.

is a profile of Jin. A Good Fall is new in paperbook, and if you’re picking it up, I suggest you also read his Waiting.

That book stays in my mind.

Loading tweets...

@danamo

culture is politics. politics is culture.
[beta]

Networks

Following